Sneaker Time

fullsizeoutput_2791Tom from Crepe City shoed us in. My niece led the way up urban stairs of concrete and steel into a cavernous room made of similar hard stuff.  Music boomed so loud we had to shout at one another to be heard.

IMG_0316A sea of black hoodies, baseball hats, rucksacks and box-fresh super trainers adorned the majority of attendees at this Crepe City convention.  I followed H’s Inter Jordan All Stars past rows and rows of sneakers for sale and asked for some explanation, some clue as to what all the fuss was about.

IMG_0354 “The thing is, the Yeezys for instance – they’ll launch a new style in store, but the queues will start the day before so the chances of getting a pair at the retail price of £150 is slim. The fact that they’re limited in production ultimately increases their value for re-sale. That’s what this is all about” she informed me. “See?”  I glanced at the trainer she held up for me to appraise.  The price tag attached read ‘£750’ – a punishing price to pay for your inability to be one of the first in line on launch day.

IMG_0321I remained intrigued as we wandered on past the special Back to the Future Part II self-lacing Nike Air MAG trainers and other £3,000 pairs to be envied, admired, and coveted by some, if not all sneaker enthusiasts.

I shamefully looked down at my Ecco Terracruises. “H, I bought these for £12.99 in a charity shop the other day: I feel a bit embarrassed.”
‘It’s okay Auntie Sarah, they’re actually so rare that nobody knows what they are” she said with a wry smile.
I burst out laughing, loving the fact I have a niece with such wit.

IMG_212646C32E07-1At a sneaker-friendly watch stand – finally comfy sofas and a free nailbar.  I sat down and took full advantage; neon pink with a lavender heart, mindful of mother’s day ahead.

To my right a girl sat with two watches decorating a heavily tattooed arm. “I had an original one of those in the late 70’s” I said pointing to her gold Casio, “We all did. Wish I’d kept it now – be worth a fortune.”
“Really!” she said.  “This is the waterproof one, I wear it all the time and nothing ever happens to it – just keeps on going.”

IMG_0349Heading towards the exit we passed a gentleman wearing a pair of Adidas Hardcourts. “I’ve come from Sweden especially to be here today” he told me. His newly-met companion shifted from one of her SB Dunks to the other, smiling at him admiringly.

I turned to H. “I think I get it now. Time for lunch” I said, walking out into fresh air and sunshine; E Bay on my mind.

Thanks to @hayles45 for manicure photo.

A Schooling in Life

img_0198To my great cost, literally, I have discovered The School of Life.  Wandering into their home on Marchmont Street in central London last night I was in no mood for a pre-booked workshop on ‘How To Realise Your Potential’ but, in for a penny, in for another £55 hole in my bank account.

Earlier on in the day, attending a funeral service, I’d heard a reading from Ecclesiastes – A Time for Everything: Joy and pain, laughter and tears, speaking and silence.  Each emotion has an opposite; the only thing is sometimes one loses touch with the positive ones.

I sat at the front, despite my mood, tricking myself into participating. We were given an icebreaker to start which entailed talking to the person next to us about what underlies our desire to reach our potential.  My heart inwardly sank.

“Death and ageing” I reluctantly said to a smiling face sitting opposite me.  “There’s so much of it about, there’s so much illness, it makes me panic about not realising my potential in time.”
“That’s beautiful” my School of Life class mate responded.
I looked at her askance. “Really?”
“Yes, it’s brave of you to vocalise it, to me a complete stranger. Mine is that I feel I’m in the wrong job and I don’t seem to be able to leave it.”

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A Conversation Piece

peter-lanyon-witness-1961

‘Witness’ by Peter Lanyon. *

January. Not the easiest month to make a break for it and get out there. However, a kind invitation to an evening at Home House with René Gimpel from the renowned West End Gallery debating all things art collecting roused my curiosity.

His talk was gently informative and afterwards his answers to the assembled audience on questions ranging from “What’s the difference between cinema and video art?” to “Should I buy Keith Haring now?” were compassionate and eloquent.  “Anyone can become an expert – that’s the great thing about art” he stated, “You just have to enter into the conversation.”

The mood in the elegant drawing room was relaxed and energised. The chat flowed amongst cushy sofas and soft lighting: The aftermath of a season of goodwill infused with some urgency of new year intent.

I approached René, curious to learn more:  “Did you see Bowie’s collection at Sotheby’s?” I asked – somewhat naively.
Rene looked at me, as a smile came to his lips. “Yes, he was a client of ours. I’ve got a lovely story about him if you’d like to hear it.”

My excited expression prompted the tale:

“Well, he came to me in the 80’s.  He was interested in starting to collect art. He wanted to learn everything about it. He told me of a particular Peter Lanyon painting he liked and asked if I could get it for him. So, I rang Sheila, Peter’s wife, and she sent it up.  Bowie came in and I took him down to the basement to fetch the picture.  It was dark and dusty so I offered to bring the painting up to the gallery.  ‘No, let’s just sit here and look at it’ he said, motioning to the stairs.

We sat on the steps and contemplated the piece in silence for some time.

After a while he pointed to the right side of the picture and said: ‘It’s got a tyre mark on it’.  I looked at it aghast and thought – gosh that’s my eyesight; I knew Peter kept his pictures in the garage at home and immediately thought he’d backed into it. I started to apologise, but he interrupted me and said: ‘No, no, this is the one I wanted: Peter ran over it deliberately – he thought it looked better that way.’

I introduced him to high art collectors and those in the middle – he was particularly interested in the latter and I remember a trip to Richmond with him to visit one. He was extremely knowledgeable about modern British art – hence his knowing of Peter’s ‘tyre’ painting” he concluded.

I basked in the warmth of the story, reluctant to leave my place on the stairs at Gimpel Fils with René and Bowie; such edifying company on a freezing cold winter’s night.

* ‘Witness’ by Peter Lanyon. Dated April 1961. From the BOWIE/COLLECTOR sale at Sotheby’s, London, November 2016. Image copywrited to Sotheby’s.

 

Sunday School

img_4733People smiled at each other in the lengthy queue for an early cuppa at the Cecil Sharpe House café.  Earthy wooden tables decorated a sparse room warmed by the buzz of conversation and the bang-bang of the barista’s coffee work.

“Is that the door to sorrow or are my eyes deceiving me?” I turned to look at the owner’s voice and noticed him glancing towards a handwritten sign above a door not too far away.  I followed his gaze and burst out laughing.  “Um, I don’t think so!  But having said that I can’t work it out either – is it ‘Storrou’”?
“Time for an eye test I think” came the reply. “Anyway whatever it is, I don’t want to go there.” Between more joking and laughter, we discussed the virtues of our morning venue and the talk we were about to attend there. “I’ve heard Ruby speak before in Ross on Wye. She was good” he said. img_4724

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The Middle Bit

img_4623“Don’t look in that mirror!” I said to T as he wandered back from the Gents, “It’s a ‘fat’ mirror, and Lord knows I don’t need to add any extra pounds to the ones already gained over the last week.”

He looked into the mirror anyway – emblazoned with a superlative drawing of the movie we’d just seen: The latest in the Star Wars, um, series, it was perfect viewing for the middle bit – that bit between Christmas and New Year where no one knows what day of the week it is, much less cares.

We’d met at 8 to go to the local Everyman cinema. At the top of a bustling queue T requested the tickets: “I booked two for Rogue Nation”, he said to one of the Bartenders. I smiled standing beside him, noting the hot rum punch merrily steaming on the bar. “You mean, Rogue One” came the reply.  We looked at each other, “Yes, of course, Rogue One.”

“I was sure it was called the former, T” I whispered, clutching my winter warmer as our eyes adjusted to the darkened theatre and we attempted to locate our small but perfectly formed sofa.

Special effects reigned supreme in a movie where the laughs came from K-2SO – all minute mannerisms coupled with a dry wit easily a match for C-3P0 – and Peter Cushing was raised from his rest via CGI to be morphed into some notable character or other.

As the lights came up I turned to my actor friend: “What was all that about the antennae not being aligned?  Was that Leia at the end – if so what have they done to her face?! And was Princess Jen supposed to be Leia in an early life? And the big retro controls? I’m confused.”

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