Facing it

September brings one reluctantly down to earth. A gentle easing in is how I decided to do it via the FT Weekend Festival at Kenwood House. Nothing too heavy would do for the moment I decided. Not for me ‘So what does the FT really think?’ or Deborah Meaden on ‘Questions and business pitches at the ready?’. Not even ‘BREAKING NEWS on the FT Festival line-up! William J Burns, Director of the US Central Intelligence Agency and Richard Moore, Chief of UK Secret Intelligence Service’ – appearing together for the first time ever at a public event.

An Uber deposited me at the gates of Kenwood on Saturday morning and not long after I took my seat, zen-like, artisan coffee in hand, for my first speaker of choice – John Lithgow.

The lady next to me was on my wavelength: “Yes, I’m doing the same – going lite today” she told me.
I mentioned my itinerary which included ’50 Years of Disco’.
“That’s on my list too” she said. “I wonder when that starts from exactly?”
“I’m sure they’ll tell us – but it’s got to be before 1974?”

John’s mellifluous tones washed over me pleasantly: “Roald Dahl”…”The Royal Court”, and on 3rd Rock from the Sun: “The most fun you could possibly imagine: When does that happen now? .. It’s a milder drink.”

“What about Dahl’s antisemitism though?” Janine Gibson asked.
“Well, the play’s about the difficult and thorny issue of any person creating art” he replied.
Janine persisted on the same theme.
“You know, he struck me as an outsider wanting in – that heartburn in a person’s nature can be grounds for something else developing” JL replied.

Notions I’d had of side stepping the big stuff were showing signs of fading.

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Japan Calling

IMG_0390“I don’t know about you, but I feel like I’m on holiday, not in Maida Vale” I said to The Brunette – my dinner companion for the evening. Contemplating the decor of our newest local restaurant  immediately imbued a sense of relaxation and calm. Dark wood, mirrored strips on walls – a nod to Japanese lacquer – minimal tables and a soupçon of light jazz to be heard in the background provided the comfort of the traditional with the frisson of the new.

A Gordon Ramsey type restaurant this isn’t.  If you’re after cooks shouting orders: ‘SERVICE! NOW!!’ you won’t find it here. Instead, sitting up at the kitchen bar – possibly the most action packed location of any restaurant – Ken and Masato Nezu noiselessly and respectfully went about their business creating exquisitely simple, wonderful to behold dishes.

fullsizeoutput_27a0Manners maketh man and most certainly add to the enjoyment of dinner out on a Wednesday night.  Politely we were asked what we’d like to drink.  We discussed the options with Toru the owner: “Try the sparkling Sake” he told us, “It’s light, not too strong, I think you’ll be okay.” He was right; gently floral, the colour of effervescent water it was to be relished for itself rather than any unwanted effects.

IMG_0377We took our food recommendations from Ken: “This is nothing special” he repeatedly told us. Yellowtailed carpaccio with truffle oil, grilled asparagus with sesame dressing defined with threads of chilli as a starter told us otherwise.

Venturing into the territory of the mains our reactions seemed to surprise him; but when sushi and sashimi plates are this good it’s hard not to express delight. The smoked eel sushi took me out of my comfort zone into a new level of enjoyment. This is not the challenging eel of cockney lore, rather a super tender smokey hot mouthful with the delicate crunch of cucumber, wrapped in rice so good the entire experience was synergy personified.

Finishing up with sesame and Yuzu fruit ice cream followed by a cup of Genami tea, Toru gave us some backstory: “Our chefs are from a sushi family, we invited them from Nobu. It is an art to create this food.  In Japan an apprentice doesn’t touch the fish for three years – they just watch. How you cut the fish alters the flavour; knives have to be sharp. How you press the rice requires just the right amount of pressure; the temperature is vital. Everything has to come together – into one. It takes time.

We left ‘Japan’ light but replete, warmed but refreshed: “How appropriate that two friends from choir should have such a harmonious evening” The Brunette remarked as the Murasaki team bade us ‘Good Night.’

Many thanks to Toru, Ken, Masato Nezu, Piyumi and Kauri for a delightful evening. Murasaki, 12 Lauderdale Road, London W9

Kenzo Tiger

img_3979I woke surrounded by Tiger print.  Red and pink Tiger print.  Had it all been a dream? A glance at the receipt and an inspection of photos on my phone said otherwise.

A delightful invitation to a preview of Kenzo for H&M had me planning every minute of the week (not to mention a year in advance) beforehand with my plus one.  For a diehard long term committed fan of the H & M annual fashion designer collaboration, this one had special resonance: An opportunity not to get up at 5am and queue for days to be first in line, plus the fact that Kenzo, one of the 80’s designers has a special place in my heart.   Always just beyond reach of my shoulder padded purse in those heady days, would H&M work their magic on this designer brand’s less acute following in the last couple of decades and up the ante again?

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Frieze!

img_3756I tweeted H: ’Unfortunately it’s sold, so I can’t get it for you.’
‘Where is his nose?’ came the response. I ignored the question, after all a bust of this Hellenistic King from mid century BC was bound to come a cropper at some point in the last few centuries.

Frieze Masters hosted this fine piece of art along with many others of repute and fame, their makers well established in art history vernacular. From Picasso to Bonnard, Dali to Louise Bourgeois, these were all artists we can agree on as having made it. The elite hush of this particular part of Frieze held a reverence indicative of solemn recognition and certain provenance, to say nothing of sky high prices.

Across a cooling October park lay Frieze London.

I headed to the bathrooms, noting that Julie Verhoeven was performing a piece of her art there entitled ‘The Toilet Attendant … Now Wash Your Hands’. One of many works this year with a message cloaked in humour.

A blue strip of carpet led to the ladies, a pink to the mens. Once that initial confusion was dealt with I entered to the usual set up save a few trolleys dotted about laden with the tools of a loo attendant’s trade.  I spied the artist suitably dressed in the latter’s regalia.

‘I just want you to know, I’ve washed my hands’ I said.
‘But did you put the loo seat down?’ she asked, ‘It’s amazing how many people don’t.’ ‘Well, that could be because they’ve become confused by the blue and pink carpet. Perhaps you would find that if you went into the mens all the loo seats would be resting in situ between visits.’
‘Ha!’ she replied. ‘Maybe.’

Through the fair I wandered, stopping in my tracks for some pieces, marvelling at them, rendered mute by others such were the thoughts and feelings provoked.

I heard my name being called:  An old acquaintance from the 90’s, and art collector. I told him about Julie’s work.  ‘Did she ask you for a pound? Is that how artists are making money these days?!’ he laughed.

The question’s answer is potentially the same as it was in mid century BC as it may be in 50 years; a benefactor, menial work or connections – the way the pendulum swings dependent on our appetite for and willingness to appreciate another narrative to our daily lives.

Frieze Art Fair until 9th October, Regent’s Park, London.

Village of Beauty

img_8950“It’s gives you a break, that’s the most important thing” Kamila told me as she explained the Jean d’Estrées Vitamin C Facial.  “And, that’s what we’re about too, we like people to come here – men, women, couples, groups of friends, basically everyone can be together and get everything done.  We’re like a one stop shop for relaxation through treatments.”

I can testify that to be the truth, as I have now had various beauty treatments at this local emporium – one more delicious than the next – from mani/pedis to a massage to various other more intimate ones.  However, this, the facial, was what I really longed for.  Anything, but anything that can give me a break from daily hecticness more than floats my boat. Plus, if it’s good enough for A-Listers such as Luke Evans, then it’s good enough for me.

The familiar strains of Stevie could be heard as we discussed the options: ‘’till you come back to me, that’s where I wanna be’.

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