Rectuma

IMG_0652 2“Ah, the crystal of Belarus; unsurpassed” said a man leaning against one of the many bars at this elegant townhouse club in Soho, holding his whiskey glass up to examine it.
“What?  More crystal than Waterford?!” I exclaimed.
“Oh yes” he said.  “I remember being in Soho House in L.A. once, picking up the water jug and the handle just fell off in my hand. It happened straight after I noticed that the bottoms of the glasses were all different depths.”

Special indeed.  P and I forged on ahead.  “We need to find James, P” I said. “I want to find out more about this crystal.” Someone heard me:  “I know him!” called out a passing waiter.
“Brilliant – can you page him?” I enquired.
“Jeez S, What decade are you in?!” came P’s retort.

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Violetta

FullSizeRender 4I have to say I empathised with her dilemma – certainly at the beginning of the evening.

The Royal Opera House was last night, and is, a picture.  A picture of elevated sumptuousness, where people dress for the occasion and actually put their mobile phones away (albeit only until the interval). After all, what’s wrong with a bit of respect for artistry on the kind of levels that surpass the ordinary, with attention to detail rarely experienced.

I waited, orchestra stall seated, for my companion who was running very late and got chatting to the couple next to me. Ted told me “We’ve seen it already this year, we loved it so much we just had to come back.”

I looked around at a rapidly swelling auditorium.  Plush red velvet seats complimented a predominantly glamorous audience. My opera partner arrived just in time. The conductor’s baton was raised and we were off.

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Where there is light

Musical accompaniment: http://bit.ly/1UK3TUT

P1070332Cold glittering pavements met my snow boot shod feet as I left the house.  This was a night for adventurers, curious people, resilient Londoners. With a temperature of – 2 degrees layers were required to brave weather so freezing that it hurt ears, numbed hands and nipped consistently at already chilled faces.  But oh, the reward.

In one of the darkest months of the year when light is fleeting, sunlight even more so, one craves brightness, forgetting for moments how wonderful and happy it can make you feel – until a reminder comes.

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The comfort of strangers

IMG_0254One of my favourite things to do is to take myself out for dinner.  The venue is crucial. One has to feel at ease – dining alone is not for the faint hearted after all. But, if you should happen upon the right place, it’s heavenly.

I switch my phone to silent, log out of various ‘social’ media websites – utterly stultifying to one’s creativity – then sit back and enjoy my own company.

Most restaurants don’t excel at entertaining sole diners; they’d much rather you were there with 20 of your nearest and dearest or at the very least your other half.  It’s rare to find an establishment that says ‘We love you no matter what’.

Carluccio’s in Paddington Street is just such a place. I wandered in tired from a day treading the boards and glanced around.  At one of the softly spotlit tables sat an elderly lady, elegant with coiffed grey hair, a glass of chilled rose to one side.  A couple of feet away another solitary diner, young and dark haired placed his phone on the table, looking up as the waitress put a plate of steak and frites before his dinner-ready face.

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Maria Teresa de Vallabriga y Rojas

P1060943It’s hard to put Rembrant’s portraits in the shade, but I’m afraid Goya more than gives him a run for his money.  In fact I’d go so far as to say he totally eclipses him.

In the usual packed blockbuster at the National Portrait Gallery, I stood behind a group of, shall we say, mature friends, discussing the particular position of Maria Teresa de Vallabriga y Rojas on her horse.  The more forthright (Lady F) of them commented “But if she’s really riding side saddle – which she would be – her legs are twisted in far too exaggerated a fashion!”

I looked at the portrait and tried to figure it out.  Meanwhile the debate raged on.  I couldn’t help it, I had to interject.  I explained to the trio that I felt Goya had done it deliberately.  That his main focus was on getting her face in profile, therefore he had to have her twist her legs around far more prominently so that we got the full picture so to speak.  “After all, he’s an artist” I said, “He’s entitled to be economical with the truth.”

Her friends moved on as Lady F answered me.  “Let me tell you, I ride side saddle and it doesn’t look remotely like that.”

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